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OK, let’s complicate Gap’s “simple clothes.” Whoa boy. David Fincher has directed four glossy, black-and-white ads for the Gap’s new “Dress Normal” campaign—elusive, noir-ish vignettes in which various hip people in Gap’s signature bland make out or flirt or take off their pants. “Each one features a confident woman at the center and tells a story of how liberating it is when you are being your most authentic self. We believe everyone who watches them will identify with one or more of the characters,” Gap’s marketing head tells Adweek.

So who are the characters with whom we’re meant to identify? A black man rushes up the stairs towards a motionless, serene white woman (the ad ends before he reaches the top, leaving him in a perpetual state of exhaustive escalation towards the woman above him); two white hipsters make out as the female half checks herself out in the mirror; three white people in a car look on nervously as a wet, non-white woman takes off her pants (wow, how exotic!); and two more white hipsters hang out at that totem of white suburbia, the driving range.

The ads each have their own tagline: “Simple clothes for you to complicate” (the stairs). “Dress like no one’s watching” (the makeout). “The uniform of rebellion and conformity” (the vehicular striptease). “Let your actions speak louder than your clothes” (at the driving range). Then: “Dress normal,” the ad concludes—a slogan that reads more like a brainwashing command than a slogan suggesting you gotta head to your nearest Gap.


To begin with, the word “normal,” especially in fashion advertising, is ridiculously troubling. You’re basically saying, “Let’s establish that this is what everyone should look like.” The corresponding print ads revealed earlier this month use celebrities like Angelica Huston, Zosia Mamet, and Michael K. Williams as models, which suggested “dress normal” was a mantra to rely on your something other than your clothes to define “you” (that something being your…celebrity, I guess?).

But according to AdAge, Fincher was adamant that Gap should use unknowns for the TV spots—and the use of anonymous stand-ins give a pretty complicated definition of “normal.” Gap seems to assume, without much thought, that “normal” as an aesthetic is very narrow indeed: skinny jeans, little leather jackets, and boxy James Dean-like t-shirts, mostly shown on super svelte white women. In other words, white and middle-class. Sure, this is an image that we see all the time in fashion advertising, but never is it so exclusively stated and promoted as the standard. “Dress normal,” the ad commands, discounting all other modes of dressing. Unless this is an ironic send-up of how fashion advertising promotes such an exclusive and narrow image—which could be brilliant, but seems impossible—this will probably go down as one of the most controversial and troubling fashion ad campaigns in recent memory.

I guess all those boring ad guys got what they wanted: propaganda.

Hillary Clinton boutique is the dopest shopping spot in Kosovo. Around the corner from Bill Clinton Boulevard in Kosovo’s capital is HILLARY, the hottest shop to find all your Hillary Clinton clothing needs. They don’t carry Nina McLemore, but their red pantsuit is flying off the shelves. (NYP)

Is this the world’s largest turban? Here’s an incredible video of a man putting on and cruising around town in his 100-pound, 645-meter-long turban.

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